Stations of the Cross and her illustrations in Alan Marshall’s book People of the Dreaming.

Heart of the Nation radiates with warmth and depth, offering viewers a glimpse into the soul of its subject.

Visual Arts teacher Sarah Larsen said,

“Jacinta is a master of soft pastels and has created an artwork that breathes with life, capturing not just a likeness of Miriam Rose but the very essence of who she is.

“The portrait invites the viewer to gaze deeper, with the subject’s eyes serving as “windows to the soul, revealing the untold stories, dreams, and depth of the human spirit.”

Jacinta’s inspiration behind her choice of painting began after Jacinta had the privilege of meeting Miriam in her hometown of Nauiyu, whilst on pilgrimage last year in the Northern Territory. Moved by Miriam’s presence and wisdom, Jacinta approached her with a request to sit for a series of photographs; one of which she used as inspiration for her final creation. Miriam’s willingness to participate in this project speaks volumes about the genuine connection fostered between the artist and her subject.

Miriam’s prominence as a renowned indigenous artist, Ngan’giwumirri elder, and educator played a pivotal role in Jacinta’s decision to feature Miriam in her portrait. Her commanding presence, humour, and engaging demeanour resonated with Jacinta, prompting her to epitomise these qualities in her artwork. Similarly, upon reflection of their meeting, Miriam fondly recalls that Jacinta was “gentle, curious and very special” and sincerely appreciated Jacinta’s interest in her.

Jacinta’s involvement in the Lester Prize Youth Awards was a personal endeavour, distinct from her academic pursuits. Driven by her passion for art and inspired by previous visits to the exhibition, she decided to enter her piece independently, seeking to share her unique perspective with a wider audience.

The choice of soft pastel as the medium for Heart of the Nation reflects Jacinta’s affinity for its unique texture and dynamism. She enjoys the versatility and expressive potential it offers, allowing her to imbue her portraits with depth and emotion.

Miriam has expressed her sentiment that while she’s not fond of looking at herself, she holds Jacinta’s artistic prowess in high regard, referring to her as “a very talented artist.” Miriam values Jacinta’s dedication and skills, describing her work as “so good, amazing.”

In recounting Miriam’s concerns about the impact of The Voice referendum, Jacinta poignantly shares that she urged the visiting students to “Walk with us. We have so much to do, we can only be progressed by people listening to each other. We have learnt about you, and we want you to learn about us. In the wake of the referendum result, Jacinta affirms, “this generous invitation is now more important than ever.”

As Jacinta’s masterpiece takes centre stage at the Lester Prize Youth Awards exhibition, it serves as a timely reminder to the power of art to bridge cultures, ignite conversations, and celebrate the richness of human experience. Jacinta’s accomplishment also highlights the importance of nurturing creativity amongst our students.

Lester Prize Youth Awards 2024 exhibition is on at the WA Museum Boola Bardip until 14 July.